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Mikey picked up a suited and apparently raised pre-flop, although that was unclear. The flop came rainbow, giving McDermott the nuts.
McDermott just called in an attempt to set a trap. When the deuce hit on the turn, the law school dropout again checked.
KGB grabbed some chips and sprayed them around the pot without announcing a bet size, which is of course totally legal.
Again, Mike called. The river was an ace, so McDermott still had the nuts. But Teddy remained convinced Mikey was on a draw and missed.
Your fate Grandma is sitting right beside you. But I digress. The Russian mobster, again splashing the pot, then moved all-in. This was his opportunity to stick it to the man who crushed his hopes and dreams in the past.
KGB, in true mobster fashion, flipped out, but he paid McDermott his money even after Grandma encouraged him to continue playing.
Teddy had enough. He was getting dominated all night long by a young hot shot, and had enough. We can all learn a lesson from Teddy KGB.
Maybe he never recovered from that beat-down McDermott laid on him. Albert and I took the Prop Master out for lunch and I went over what the culture was like.
I described at one point how poker was a microcosm of life. Why do people play? Why is the game so inclusive? I explained that sitting at a poker table allows people to exert influence over others, to flex a little bit.
The game allows you to make money moves and exude power and strength. A few days later I was emailed excerpts from the script to read.
A week after that, we were sitting in the studio office in town and as I walked in to meet the Director. In the meeting, I simply regurgitated the info I had conveyed to the Prop Master.
I did the same thing when we first connected via Facebook. Care to explain? I got the call in bed from a gaming task force officer.
So I went down to the station. As I mentioned at the outset, I spent years running games, partnering with underground poker clubs, sharing my networks, and profiting from the games.
It caught up with me, as is always the case. After being charged with keeping a common gaming house a criminal code offense here in Canada I was shown discovery documents that included poker forum postings and emails I had sent to my network with recipients blacked out.
Someone who attended my games had gotten themselves into trouble and offered information on my operations to most likely better their plight.
An undercover officer took his place at one of my cash games for several weeks in a row. He willingly lost, lol, but he was a real good sport. At the time, I had no idea why.
Sure enough, a few weeks later he was the one that called me from the game where they were executing the warrant.
My name was on it. I then knew what his stone-faced look was all about. I was advised by my lawyer not to say anything to investigators, but that officer and I had an interaction while I was being fingerprinted.
The charges were dropped. No conviction. I stayed away… for all of one day. To this day we flourish and remain at the top of list amongst the private and corporate gaming rental and event execution firm to athletes, business moguls, youth sports teams and organizations, and even bar mitzvahs!
The meeting lasted for about an hour, and I spoke a lot about the eerily similar path I had taken to Molly minus the millions as well as discussing my overall knowledge of the game and its underground culture.
I signed an NDA, they emailed me the script, and I was asked to report to the set for the start of poker scenes.
I would cite my fearlessness and public speaking ability. Running events AND being the emcee and pit boss for multimillion-dollar fundraisers gave me the confidence to sit there and come across strong and well-presented.
I spent the better part of two decades training staff and mentoring our colleagues in becoming gaming professionals, even if it was just their side hustle.
Describe your job in general and what the work was like day-to-day. I was on set from start to finish, usually around 12 hours a day.
Our day also included being on-hand for the blocking of scenes and rehearsals to oversee dialogue, movements, and interaction with poker props to point out if and how anyone could improve upon their performance.
For example, how an actor picked up or looked at his cards, threw his or her chips, and every basic poker table practice imaginable.
We worked very closely with the props team because every time a scene had to go back and reset for another take, the cards, chip stacks, and pots all had to go back to exactly the settings, positions, and levels.
The deck had to be backed up for dealing and flops. This was an arduous task that took time. Before the action began, we took pictures of each player, the table, and the surroundings, right down to drink placement so that we could get the frame of reference perfect.
I was on hand to answer questions from Aaron, the Assistant Directors, and any member of the crew with regards to what would look right or if it was okay to do this or that.
The set of a movie is a different world, but a hard working one. Of course, most people see glitz and glamour. In the actors, I see a relentless strive for perfection and just plain hard work — over and over again.
Jessica, in particular, seemed very humbled by the production. She was engaged in her craft, taking instructions in a tremendously stressful and professional atmosphere.
To what extent did you have to teach them about the game? Prior to new actors arriving for days of shooting, we would be delegated to assessing their abilities.
We taught her the different ways to spread out a flop and which ones would look best on camera. He helped her brush up on riffling, stripping, and cutting the deck, even fanning out the cards smoothly and consistently for each of the endless takes.
Jeremy Strong Dean Keith in the film came to the set never having played and spent a few days in Vegas playing in some Bellagio cash games to research his role.
He taught himself how to move the chips between his fingers featured in a shot and we had to teach numerous actors how to shuffle their chips and flip them around for authenticity.
In between scenes and during camera turn-arounds, we retired to a poker table set up on the sound stage floor and we just played. This gave the dealer a chance to practice and players the chance to loosen up and practice their look.
I presided over these impromptu games and offered advice to those who wanted it. Developing a rapport and confidence working with principal actors was experience unto itself.
In one instance, Jeremy Strong asked very privately that if I ever saw something he needed work with, to approach him confidentially and professionally so that he could work it out.
After filming a scene that we worked on for hours, I walked up to him and reminded him about what he had said. The bro hug ensued and he thanked me for the boost.
The gaming arena was new to him and he showed his appreciation. He wanted to live the role, so that really added to the atmosphere.
I also just have to say another thing about how totally awesome Jeremy Strong was. While we were playing poker between scenes he mentioned to the rest of us at the table — Michael Cera was sitting with us as well — that he was hungry.
So cool. Such a class act. A number of well-known poker personalities, including Mike Sexton and Jennifer Tilly herself a famed Hollywood actress, of course , while giving the movie a big thumbs up in general, came out on Twitter as somewhat critical of a couple of the poker scenes and related details.
Just after we connected on Facebook, you created a Twitter account so that you could personally address the pertinent issues. Specifically, what was the dynamic like between you and Aaron Sorkin when it came to the poker scenes?
We got to a part of the script that depicts the sheer size of the game at one point. This short raise has indeed caught the attention of poker purists and enthusiasts across the country.
I loved it too, but other errors: 1. Using generic Walmart chips in early games 2. Smoking and using same chips at Commerce Club … also pretty sure dialogue revealed their fictional WSOP champ who represented Jamie Gold hung himself in the shower.
We are doing it like this. He knew something. He knew the process. Filming the scene in cuts and pieces I have to say that it felt wrong. Aaron later approached me and apologized for cutting me off.
He explained that in editing it would flow a lot better than it looked or felt. It was of course caught by the most discerning of viewers, but I contend that the movie was made for the masses and to a much larger degree the viewing audience would know what we were after.
That did not necessarily mean catering to the. What about the scene at the Commerce Casino where everybody was smoking right at the tables?
As for smoking at the Commerce, again… Hollywood. The unique angle this film has taken is one of complete inclusiveness; a first for the poker genre.
The narration and graphics actually bring viewers into hands and outcomes and explain them to even the most poker illiterate of viewer.
It captures their interest and invites them into the action. The pace at which Aaron Sorkin-style dialogue jumps just lent itself to bridging the gap between not only the poker enthusiast and the mass audience, but it also helped to Band-Aid those particular poker fouls and made them virtually unnoticeable but to a few sharp experts.
What a novel idea! I personally think it turned out great.
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Simply put, Teddy should be looking to build the preflop pot with his premium pocket pair. By 3-betting, Teddy forces Mike to continue with a more defined range, which will make the hand easier to play.
The exact preflop action and stack sizes are unknown. Teddy KGB, mid-tell, about to fire a massive overbet with the nuts. These fellas are playing the old school version of heads up poker where the player not on the dealer button acts first.
The dealer acts first in modern heads up games. Another absurd overbet. The fold enrages Teddy, who thinks Mike should have paid him off. Teddy picks up one of his trademark Oreo cookies, puts it to his ear, splits it in two, then eats it before making the call.
During the final heads-up match, Mike open-raises huge 20 big blinds with pocket kings, Teddy 3-bets to half of his stack big blinds — yet another huge overbet , and Mike 4-bets all-in.
He puts it back in the tray and folds, indicating he did not have the hand he was representing aces. Mike is about to bet this flop with his top two pair when Teddy goes for the Oreo-to-the-ear move again, slowly separating the cookie and savoring the treat.
So, Mike decides to check. Teddy puts out one of his usual overbets and Mike makes the big laydown. After Mike calls Teddy out for having the nuts, Teddy, in disbelief, throws his chip rack full of cookies against the wall, presumably realizing his Oreo tell as a fatal flaw.
Teddy, in general, gives off too much information at the table. A sharp rounder like Mike McDermott can pick up on that information and tear Teddy to shreds, as he does by the end of the movie.
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